Anine Bing Tops

Anine Bing's resale presence is real but thin, and this utility shirt has sat for more than six months at a price that would move fast for Reformation.

Anine Bing's Edith cropped shirt sits in a resale pocket where the brand's volume is thin and this cut rarely appears used.

Perforated lambskin breathes like mesh but carries the weight and drape of skin, a combination that usually only appears in outerwear at much higher ask.

The Bridget is the shirt that built Anine Bing's following -- oversized, borrowed-from-him, and deliberately hard to keep in stock.

Anine Bing's python print in pure silk -- a pattern that tends to attract a narrower set of secondhand shoppers than the brand's solids and neutrals.

Anine Bing's Aspen blouse in windowpane check, a cut that moves slowly even when the brand itself is tracked.

Anine Bing's Aiden cut in a loud houndstooth -- the pattern that thins out demand even when the brand itself has traction.

Anine Bing's puff-sleeve cotton shirt, nearly a year and a half on the market -- a cut that moves slowly even when priced within reach.

Anine Bing's embroidered cotton blouses carry the LA label's signature borrowed-from-the-boys ease, yet the resale pool for this size runs shallow enough that three months on the market still leaves room.

Anine Bing's oversized shirting built a following on the strength of a single borrowed-from-the-boys silhouette that rarely appears used in this shade.

Anine Bing's Theodora cut in champagne silk -- a cami that moves between layers and seasons, yet rarely appears used at all.

Anine Bing's leopard print blouses trade in a narrow channel where silk weight and drape separate the pieces that hold value from those that don't.

Anine Bing built her label on the kind of slouchy separates that Instagram made famous -- the Theodora sits in that lineage, though the resale following here is thinner than the retail noise suggests.

Anine Bing's pleat-front cotton shirt with a prairie collar and fitted waist that reads romantic but is cut for structure, not volume.

Tie-front blouse with laser-cut edges, a construction detail Anine Bing used to anchor summer-weight cotton without conventional hems.